Hillbilly Moon Explosion is a Zurich-based rock revivalists who’ve spent the past few years touring Europe, issuing a pair of acclaimed releases (2002’s Introducing The Hillbilly Moon Explosion, 2004’s Bourgeois Baby) while watching their fan base grow by leaps and bounds. Mind you, this is no quaint Sun Records send-up; at their best, HME— bassist/vocalist Oliver Baroni; rhythm guitarist/vocalist Emanuela Hutter; guitarist Duncan James and drummer Luke Weyermann—come across like a Sam Phillips-produced soundtrack to a Sam Raimi shock flick, a furious bed of slap bass and pounding snare underpinning layers of menacing guitar lines, wailing background vocals, and eerie keyboard flourishes, with front-woman Hutter providing the perfect aural/visual focal point, fishnet stockings and all.

When it came time to lay tracks for a third independent effort, head Hillbillies Baroni and Hutter eventually headed for the US and wound up at the door of producer-engineer Mark Neill, owner of San Diego’s Soil of the South Studios, where it’s all-analog, all the time. One could not imagine a better match-up: Neill, a rockabilly bred Southerner whose client list includes The Paladins, Los Straitjackets and Old 97s